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Jan Philipzen – Ravedeath ConventionStarted as a visual diary, Ravedeath Convention soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all embracing blend of subcultures as a fundamental feature of our times. The first pictures taken at age thirteen, this series of black and white

Jimena Canales

which were returned after 50 years

The eponymous “peripher” functions in the works of Andreas Tschersich

encounters with unique artworks

huber’s individual groups of works and periods of creativity into a clear order

helping to establish the genre in the late 1960s and the 1970s

Helmut Weich

Only in her mid-thirties did Susi Wyss turn her lifestyle into money and work as a call girl

literature and advertising as well as memories and heard stories

depictions of apes were traditionally used to show the absence of culture

reflection

Wilson’s eerily beautiful photographs invite viewers to ask questions about the cult of celebrity