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Mimi Plumb – LandfallFirst edition, second printing Created from images taken during the early 1980s, Mimi Plumbs Landfall encapsulates the anxieties of a world spinning out of balance, a mirror land eerily reminiscent of our own time. The burnt out remains of a house fire open out onto equally decimated alpine landscapes, group shots of humans in lackadaisical embrace with high tech weapons of war Plumbs photographs of manmade scars and refuse mingle in seductive rhythm

Edmund de Waal is an artist

a publishing imprint for artists’ books

Her built work includes Kodak Headquarters

The opaque blue glow of ice (best viewed as originally presented in a slide show) epitomises the otherworldly aura of these evocative images

the first of its kind to not serve any commercial or military purposes

By the 1970s the company had grown from a local family business into one of the world’s leading manufacturers

At once specific and widely contextual in its scope

from British artist and illustrator Adam Higton

and installation

Ecological and Existential Utopia is published on occasion of the exhibition Life on Planet Orsimanirana

image collages

Thanks to Onomatopee (Eindhoven)